Selected Press Coverage: 


Selected Press Quotes:

"Impressive... Checkoway's film has a span that reaches far beyond the family devastation onscreen."

– Richard Brody,  The New Yorker


"The best of this year's Oscar-nominated shorts... 30 minutes of intense love and pain." 

– Charlie Phillips, The Guardian


"A poignant look at elder abuse." 

– Lucina Fisher, abcNEWS


"A moving portrait... It's the most intimate movie in the lineup, and all the better for it." 

– Ben Kenigsberg, The New York Times: "Review: The Oscar-Nominated Documentary Shorts" 


"EDITH+EDDIE at first seems just a warm-hearted story, but the situation gets more complicated and tragic... Checkoway vividly shows the power and depth of their love."

– Peter Keough, The Boston Globe


"[Checkoway's] heartrending and delicate story is about how the aged, and particularly those suffering from dementia or Alzheimer's, are ignored in decisions that affect their own quality of life." 

– Richard Whittaker, The Austin Chronicle


"A terrific documentary... After you watch this it's like – wait a minute, I have to call my mother and grandmother more often than I do today. It's the first thing you end up feeling." 

– Chuck Todd,  Meet the Press ; "Elder caregiving law comes into focus with Edith and Eddie"

"EDITH+EDDIE starts out feeling like an inspirational story. A black woman and white man find each other, and love, in their mid-90s. But as the couple is separated due to a legal battle, what could have been a life-affirming hug turns into something darker: an indictment of the elder-care system, with racial undertones."

— Steven Zeitchik, Los Angeles Times


"The most powerful nonfiction short I saw in 2017... The picture may only run thirty minutes, but its impact lands like a shattering sucker-punch." 

Matt Fagerholm,


"A Romeo and Juliet tale featuring a 96 year-old heroine and 95 year-old hero, America's oldest interracial newlyweds... a cautionary tale about elder abuse."

– James Verniere, Boston Herald


"Finely crafted... offers harrowing illuminations of terrible injustice" 

– William Bibbiani, The Wrap


"Checkoway depicts their bond of love in every frame whether this couple is together or apart, but also gives us a glimpse into the unavoidable failure of authority."

– Jared Mobarak, The Film Stage


"Gives a new meaning to the phrase 'a love story for the ages'... Director Laura Checkoway captures both the sweet and tragic moments with empathy and heart."

– Kiko Martinez, San Antonio Current


"Distinctly intimate"

– Michael O'Sullivan, The Kansas City Star


"One of the finest observational documentaries of the year. What starts as a sweet and tender portrayal of elderly interracial love transforms into a damning cry against institutionalized elder abuse."

– Thomas Grimshaw, London Short Film Festival Programmer


"The best feature and best short award winners both represent unlikely love stories, each one tender, tragic and ultimately life-affirming. Dina and Edith+Eddie are both distinguished by their unforgettable lead characters and their sensitive elicitation of universal truths."

– Simon Kilmurry, Executive Director - International Documentary Association; Variety


               "'Edith+Eddie' is a heart-tugger about a bi-racial elderly couple struggling to stay together." 

– Anne Thompson, IndieWire's "2018 Oscar Predictions: Best Documentary Short" 


"Edith+Eddie is a cautionary tale for our new era of economic want and callous self-interest." 

–Marilyn Ferdinand, Ferdy On Films


"All of the things we look for in a film... challenging, universal... a gift of love and compassion."

– Paul Booth, Talking Pictures


"Most impressive perhaps, Laura Checkoway's intense and moving EDITH+EDDIE...Gripping the viewer for the duration and building something genuinely beautiful out of tragedy."

– Matt Turner, Shooting People


"In just half an hour, EDITH+EDDIE captures so much about love, aging and infirmity–and speak volumes about America's issues with elder care and guardianship."

– Norman Wilner, Now Toronto

"As wrenching as EDITH+EDDIE becomes, it still resonates most immediately as an intimate portrait of two people whose company you will come to prize as much as they clearly do each other’s...[Checkoway's] ability to give voice to those without a platform and her insights into a broken system purely through their personal stories has made her a truly exciting filmmaker to watch."

— Stephen Saito, Moveable Fest


"Devastating... It is the mix of incredible access and a willingness to embrace a story’s shrewdly synthesized structure, running the gamut from unbelievable fantasy to unbearable nightmare, that yields an extraordinarily memorable work of nonfiction that stands among the festival’s best."

— Jordan M. Smith, at True/False 2017


"A more heartbreaking film might not be seen this weekend [at AFI DOCS]... bring tissues."

– Eric Althoff, The Washington Times 


"This film will pull at the heartstrings while striking a flame within the audience."

— Lidia Moore, Vox Magazine


"Capturing the beauty of a pure love unfazed, at least by the people inside it, by race or age."

— Aarik Danielson, Columbia Tribune


"Pound for pound, this is one of the great films of the year...a lovingly told story done right, EDITH+EDDIE is a ride on the best kind of emotional rollercoaster." 

— Paul Sturtz, True/False Co-Conspirator


"One of the most beautiful and quietly furious films I have ever seen."

-Julia Reichert, director of A LION IN THE HOUSE